Noggin Will Cut The Ribbon On Its Nogginville World Next Month

Nickelodeon’s Noggin streaming app is looking to make learning more personal and help kids build real-life skills with its new game world Nogginville, which launches in early December. 

In Nogginville, kids can explore different locales from the Nick universe, play mini-games and meet their favorite characters. It’s launching with 15 different learning games (shopping for groceries and doing basic math to calculate the total, for example), Nick Jr. characters and avatars, branded locations and videos (some of which will be interactive). And the plan is to eventually expand the offering with additional branded locations and characters, including more Nick IPs and also potentially third-party brands, says Noggin EVP Kristen Kane. 

The key goal behind Nogginville is to provide a more personalized learning experience that kids can control themselves, says Kane. Noggin has to compete with numerous kids edutainment SVODs also in the market, plus it has to stand out from other streaming services that carry Nick and Nick Jr. content, like Paramount+ and Pluto. As the platform scales, focusing on interactive content, and offering a personalized, walled-garden experience have been identified as important differentiators. 

Nogginville’s game world proposition is also similar to hot platforms like Roblox and Minecraft, where kids can explore and guide their own play. But it’s built with an audience of two- to seven-year-olds in mind, which is why it’s a single-player experience that only exists within the app. 

Noggin currently has more than 1,000 educational games, videos and books in its library, and it also streams Nickelodeon series such Dora the Explorer and Blue’s Clues, Noggin originals like Noggin Knows, and third-party acquisitions including JoJo and Gran Gran (BBC Studios Kids & Family/A Productions) and Little Bear (Nelvana). 

Noggin has had success in the past with “dollhouse games” in which kids roleplay real-world skills, such as Peppa Pig: Shopkeeper. But Nogginville takes this immersive practice-makes-perfect experience a significant step further. “We like to call it a little world that helps kids prepare for the big one,” says Kane.  

Was Showmax PRO Successful In Africa?

Showmax PRO was a digital version to the current SuperSport brand distributed on DStv. It featured a range of sporting promotions including English Premier League (EPL), La Liga, World Challenge League, Serie A and Moto GP.

Unfortunately due to the revamping of the streaming service, it was announced that Showmax PRO would cease operation by the end of November with consumers getting a reduced sports offering or being redirected to DStv Stream Compact+ bouquet at the very same price.

It was also revealed Showmax would shut down internationally as MultiChoice puts more emphasis in the African market. The newly launched streamer will be a joint venture with Comcast's NBCUniversal and Sky which will see various content and software upgrades to the platform.

As some consumers are aware, Showmax joins the number of streaming services that have occurred losses including Disney+, Paramount+ and Peacock. They've never disclosed how many consumers use their streaming service much less the PRO section of the platform.

The demise of Showmax PRO may have been a matter of sustainability for which the entire streaming service is not. Should this change, MultiChoice could prioritise sports on the revamped Showmax for now it's being dominated by English Premier League.

Afrikaans Voice Actors For Wie Laaste Lag

Nadia Beuke as Esra

Johan Joobert as Ilan

Donovan Pietersen as Cinar

Claudia Jones as Çagla 

Eloise Cupido as Menekse

Rowlen Ethelbert von Gericke as Ekrem

Henrietta Gryffenberg as Zümrut

Mila Guy as Elif

Karin Retief as Reyhan

Kevin Smith as Yalçin

Sue Tyler as Feraye

Bernice Du Toit as Zeynep

Gustav Gerdener as Musa

Bertha La Roux as Neriman

Friends, Lovers, and the Big Terrible Thing: A Memoir (PDF)

So begins the riveting story of acclaimed actor Matthew Perry, taking us along on his journey from childhood ambition to fame to addiction and recovery in the aftermath of a life-threatening health scare. Before the frequent hospital visits and stints in rehab, there was five-year-old Matthew, who traveled from Montreal to Los Angeles, shuffling between his separated parents; fourteen-year-old Matthew, who was a nationally ranked tennis star in Canada; twenty-four-year-old Matthew, who nabbed a coveted role as a lead cast member on the talked-about pilot then called Friends Like Us. . . and so much more.

In an extraordinary story that only he could tell—and in the heartfelt, hilarious, and warmly familiar way only he could tell it—Matthew Perry lays bare the fractured family that raised him (and also left him to his own devices), the desire for recognition that drove him to fame, and the void inside him that could not be filled even by his greatest dreams coming true. But he also details the peace he’s found in sobriety and how he feels about the ubiquity of Friends, sharing stories about his castmates and other stars he met along the way. Frank, self-aware, and with his trademark humor, Perry vividly depicts his lifelong battle with addiction and what fueled it despite seemingly having it all.

Friends, Lovers, and the Big Terrible Thing is an unforgettable memoir that is both intimate and eye-opening—as well as a hand extended to anyone struggling with sobriety. Unflinchingly honest, moving, and uproariously funny, this is the book fans have been waiting for.

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The Fog Of Courage | Courage The Cowardly Dog | Cartoon Network

When Courage finds a mysterious amulet while digging through the yard, a Ghostly Fog covers the farm. Eustace, however, refuses to return the amulet that apparently belongs to the Fog Ghost's long lost love, Cariana. Now Courage must protect his family from the vengeful fog spirit.

Rude Removal | Dexter's Laboratory | Cartoon Network

 

"Rude Removal" is a cartoon episode originally produced in 1997 for the animated television series Dexter's Laboratory for Cartoon Network. It was intended to air as part of the second season, but was left unaired due to the characters swearing even though the swear words were censored. 

PBS KIDS Greenlights Its First Series Built Around Autistic Characters

PBS KIDS has commissioned Fuzzytown Productions and Spiffy Pictures to produce Carl the Collector, its first series featuring a cast of characters who are on the autism spectrum.

Set for a fall 2024 premiere, this 2D-animated concept for four- to eight-year-olds was created by New York Times bestselling author/illustrator Zachariah OHora (My Cousin Momo).

Carl the Collector centers around an autistic raccoon who is smart and energetic, but who struggles with anxiety in new situations and when things don’t go according to plan. He has a huge collection of things (from the perfect fake mustache for a disguise, to a soft plushie when a friend is in need) to help him solve whatever problems his friends, who are both on and off the spectrum, are facing.

The PBS greenlight is for 40 x 22-minute episodes (each one tells two 11-minute stories). Canadian studio Yowza! Animation (Green Eggs and Ham) will handle the animation, Spiffy Pictures co-founder Adam Rudman (Donkey Hodie ) is working on scripts as head writer, and OHora will executive produce.

Advisors on board include Dr. Geraldine Oades-Sese, a licensed child psychologist and kids book author; and Stephen Shore, an autistic professor of special education at New York’s Adelphi University. “Carl the Collector will become a great tool for both autistic and non-autistic people to gain insight on autism,” says Shore.

The Simpsons Brings An End To Strangulation

Nothing lasts forever. In time, the continents will crash into each other once more, the sun will swallow the planet and, at some point long after that, The Simpsons will end. But that isn’t to say that it’s incapable of moving with the times before then. Because, in yet another nod to shifting tastes, Homer Simpson has revealed that he will no longer attempt to strangle his son to death.

In the third episode of the current 35th season, Homer greets his new neighbour by shaking his hand. When the neighbour comments that he wasn’t expecting such a firm grip, Homer replies: “See Marge, strangling the boy paid off,” before acknowledging that he doesn’t actually do that any more. “Times have changed,” he adds.

The move has, inevitably, riled a number of feathers. The famously tolerant GB News shrieked that The Simpsons had gone woke by refusing to depict any more scenes of an adult human repeatedly gripping a 10-year-old child by the throat so hard that he struggles for breath and his eyes bulge. Twitter has similarly been ablaze at the snowflakes in charge of their show and their apparent disdain for child abuse.

However, it’s worth pointing out that the episode wasn’t about Homer reaching a point of realisation about never strangling Bart again. It was him pointing out that he doesn’t do it any more. And he really doesn’t. Homer hasn’t strangled Bart since season 31. An entire global pandemic has come and gone in the time since Homer last strangled Bart. The fact that nobody noticed until Homer verbally acknowledged it is either a sign that the outrage machine often operates outside the realms of basic human context, or that people don’t really watch The Simpsons any more.

Either way, despite the howls of the naysayers, this is probably the right thing to do. Homer strangling Bart never sat particularly well in the bigger picture of The Simpsons. Back in 1992, when the show was in its infancy, president George HW Bush publicly remarked that American families needed to be “a lot more like the Waltons and a lot less like the Simpsons”. The line went down badly, because it only demonstrated that Bush didn’t understand The Simpsons. Yes, they were dysfunctional and often at loggerheads with one another, but the Simpson family was bonded together by a tight and permanent love. If you watched the show, you understood this perfectly.

However, it was nevertheless a loving family where the patriarch routinely punished his son by strangling him. I basically came of age with The Simpsons – I was Bart’s age when it first started airing – and the strangulation gag always seemed a bit too near the knuckle to me. I couldn’t properly verbalise at the time, but to me it undermined the basic premise of the entire show.

What’s more, it was never actually funny. The strangulation gag was unyielding in its rigidity. Other running gags, like the prank calls to Moe, could evolve and change over the years. And yet, with staggeringly few exceptions, Homer always strangled Bart in the exact same way. It was an overdone catchphrase. Even if times hadn’t changed, it would still be the weakest part of any episode.

But times have changed, and this is a sign that The Simpsons is doing its best to keep up. It wasn’t always like this. By sticking to its guns when Hari Kondabolu made his documentary The Problem with Apu, keeping Hank Azaria as the voice of Apu Nahasapeemapetilon in the face of growing criticism, The Simpsons was dragged into a long and ugly public spat. Compare this to its quiet recasting of Black characters like Carl, Lou and Dr Hibbert, replacing Azaria with Alex Désert and Kevin Michael Richardson three years ago, and you’ll see a show that doesn’t want to get its fingers burned again. Also, it might just be coincidence, but since doing this, The Simpsons has regained a lot of its old form.

And there are always workarounds. I mentioned the strangulation development to my children, who hoover up episodes of The Simpsons in vast quantities on Disney+. At first, they were just as appalled as the worst recesses of Twitter. “It’s a classic gag!” my eight-year-old wailed. “Why are they taking this away from us?” I explained that it might not be very good for a TV show to depict scenes of a father strangling his children. Eventually they agreed. And then they suggested that Homer could punch Bart instead, or maybe throw him around a bit. So, if Matt Groening happens to be reading, maybe this could be an acceptable way forward.

Dr. Phil To Launch Primetime TV Channel In The US By Early 2024

Following the end of his long-running daytime syndicated talk show, Dr. Phil McGraw is launching Merit Street Media, a new news and entertainment cable TV network. It will be anchored by Dr. Phil Primetime, which will premiere Feb. 26, 2024 and will air nightly at 8 PM ET.

No details have been revealed yet about the new network’s distribution. It is expected to have nationwide carriage, which would be no small feat in the current challenging business environment of declining linear ratings and cord-cutting.

Merit Street will be based in the heart of the Dallas-Fort Worth area, where a new state-of-the-art broadcast center, spanning over 5 acres, is completing construction. Dozens of longtime Dr. Phil staffers have relocated their families to Texas to continue working alongside McGraw.

In the coming months, Merit Street will announce its full primetime lineup; the network is expected to initially offer multiple hours of original daily programming, including live news broadcasts.

Dr. Phil Primetime will stay close to the format of McGraw’s daytime show, with him continuing to offer no-nonsense advice in addition to conducting interviews with headline makers.

“I absolutely love talking to real people about real problems. People who aren’t just complaining but are actively looking for real solutions to better their lives,” McGraw said. “It all begins and ends with real people dealing with these issues for real, using common sense, fact-based information, and action plans to create results.

In the months since Dr. Phil ended its run after 21 seasons, McGraw has continued to receive requests from viewers seeking advice.

“As always, the audience will dictate our content because they are our content, and I want my viewer’s help in building Merit Street,” McGraw said. “I continue my pledge to help individuals, couples, and families have the tough conversations, face the hard realities, and get real answers for the most positive and effective outcome.”

The new show also is expected to feature some of McGraw’s conservative views on family values, immigration and education curriculum which he shared in the final years of his daytime talker. He hinted at that in his official comments about the launch Merit Street.

In the coming months, Merit Street will announce its full primetime lineup; the network is expected to initially offer multiple hours of original daily programming, including live news broadcasts.

Dr. Phil Primetime will stay close to the format of McGraw’s daytime show, with him continuing to offer no-nonsense advice in addition to conducting interviews with headline makers.

“I absolutely love talking to real people about real problems. People who aren’t just complaining but are actively looking for real solutions to better their lives,” McGraw said. “It all begins and ends with real people dealing with these issues for real, using common sense, fact-based information, and action plans to create results.

In the months since Dr. Phil ended its run after 21 seasons, McGraw has continued to receive requests from viewers seeking advice.

“As always, the audience will dictate our content because they are our content, and I want my viewer’s help in building Merit Street,” McGraw said. “I continue my pledge to help individuals, couples, and families have the tough conversations, face the hard realities, and get real answers for the most positive and effective outcome.”

The new show also is expected to feature some of McGraw’s conservative views on family values, immigration and education curriculum which he shared in the final years of his daytime talker. He hinted at that in his official comments about the launch Merit Street.

“American families and our core values are under attack,” he said. “I love this country, and I believe family is the backbone of our society. Together we are going to stand strong and fight for the very soul and sanity of America and get things that matter back on track.”

Additionally, the name of the new network, Merit Street Media, refers to McGraw’s publicly stated respect for the meritocracy on which the U.S. was built.

Veteran news and programming executive, Joel Cheatwood, known for his work at WCBS, CNN, and Fox News, will serve as Chief Operating Officer for MSM. Other staffing announcements will be made in the next few months.

Omens Inks New Global Sales Deals For Leo The Wildlife Ranger

Singapore-based prodco Omens Studios has signed a trio of new international distribution deals for its CG-animated preschool series Leo the Wildlife Ranger.

AMC International Networks has snapped up the wildlife show’s first season (60 x 11 minutes) for the Middle East and Africa, and has picked up the rights to air season two (52 x 11 minutes) across Europe. Turkish public broadcaster TRT will air both seasons of Leo on its 24/7 children’s programming channel, TRT Çocuk. Rounding out the deals is Fairfax County Schools Districts, which will broadcast the series’ second season in the US via its elementary school channel, Red Apple 21.

To date, Omens has secured more than 50 sales for the first season of Leo the Wildlife Ranger worldwide. The toon airs on linear networks including Globo (Brazil), Canal+ (Myanmar) and Warner Bros. Discovery (EMEA), as well as VOD platforms Kidoodle.TV (Canada) and Amazon Prime (US).

Earlier in March, Singapore’s national pubcaster MediaCorp commissioned Omens to produce a refreshed version of Leo the Wildlife Ranger that puts more focus on action and character development. The story takes place after the events of the original series’ second season, and the new episodes are scheduled to launch in the first half of next year.

Omens is also expanding the Leo IP on the digital side. In May, the studio developed and launched its mobile app Leo the Wildlife Ranger Games. To date, more than 10,000 users have downloaded the app on the Apple App Store worldwide. To increase its user base further, Omens is adding three additional content packs, and will launch a Spanish version of the app before the end of the year.

'Friends' Star Matthew Perry Dead At 54...After Apparent Drowning

More details are surfacing about the circumstances surrounding Matthew Perry's death...as sources tell us he actually died at his own house after some physical activity this morning.

We're told Matthew came home sometime in the AM after a 2-hour round of pickleball, and that he sent his assistant out on errand shortly thereafter. We're told when the assistant returned about 2 hours later, he discovered Matthew unresponsive...and called 911.

Unclear if what Matthew was doing before his passing played any role in his death at this point -- the investigation into his death is underway.

Law enforcement sources tell us the actor was found Saturday at an L.A.-area home ... where we're told he appears to have drowned. Our sources say first-responders rushed over on a call for cardiac arrest. It's unclear where exactly on the grounds this happened.

Our sources say he was found in a jacuzzi at the home ... and we're told there were no drugs found at the scene. We're also told there is no foul play involved.

Perry is most famous for his role as Chandler Bing on the hit '90s sitcom, which ran for 10 seasons ... and with him in all 234 episodes. His character was a fan fave, as was performance -- mannerisms and lines of which have gone on to be recreated and spoofed by fans all over the world. One comes to mind, in particular ... "Could (blank) BE more .."

While 'Friends' was his biggest claim to fame ... MP had starred/guest starred in countless other TV shows over the years -- such as 'Boys Will Be Boys,' 'Growing Pains,' 'Silver Spoons,' 'Charles in Charge,' 'Sydney,' 'Beverly Hills, 90210,' 'Home Free,' 'Ally McBeal,' 'The West Wing,' 'Scrubs,' 'Studio 60 on the Sunset Strip,' 'Go On,' 'The Odd Couple' and more.

He had also acted in a handful of memorable films (mostly comedy) ... like 'Fools Rush In,' 'The Whole Nine Yards,' 'Three to Tango,' 'The Kid,' '17 Again,' 'Getting In,' and many others. He's been off the scene more recently ... not having acted since a TV mini series in 2017.

While his onscreen persona was affable and upbeat, Matthew suffered mightily behind the scenes -- notably, from his addiction to drugs and alcohol ... pain killers, specifically. He was hooked on Vicodin for years -- even while on 'Friends' -- and had been in and out of rehab.

Matthew opened up about this painful chapter of his life in a memoir he put out last year -- where he detailed the struggles he had ... including his clear weight-loss/gain on the show.

During his press run for his book ... Matthew did a number of interviews where he got incredibly emotional -- including one with Diane Sawyer, where he detailed his story.

While Perry appeared to be clean and sober a year ago, the year prior -- when he and the other cast members were plugging the 'Friends' reunion show -- drew concern from fans ... as they felt he appeared unwell, at times slurring his words and looking a bit out of it.

On top of his substance use ... Matthew also dealt with health issues, some of which were serious and required hospitalizations. One such incident stemmed from a gastrointestinal perforation -- which forced him to undergo emergency surgery ... but he luckily recovered.

Matthew never married, but he was briefly engaged to Molly Hurwitz a couple years ago...which came to an end after only 6 months. Before that, he'd been linked to Lizzy Caplan.