-->

Search This Blog

Saturday 9 March 2024

Saved Again: Netflix Acquires Rights To The 2019 Season Of The Bold And The Beautiful For Fans Across South Africa

Set in the glamorous world of Los Angeles, The Bold And The Beautiful focuses on the wealthy and powerful Forrester family. Its company, Forrester Creations, is the leader in the fashion industry. Add in the machinations of rival businesses and families, and you've got a classic set-up.

Produced by Bradley P. Bell through Bell-Phillip Television Productions, Inc, The Bold And The Beautiful debuted by March 23, 1987 on CBS.  So far at least 9000 episodes of the American soap with a new seasons being filmed for the 2024-2025 period.

It held the record for most watched in the soap in the world with its audience reach surpassing 26 million viewers. The American soap also holds won 77 Daytime Emmy Awards, including three for Daytime Emmy Award for Outstanding Drama Series.

SABC 1 acquired rights to the American soap by the late 90s before moving to SABC 3 over 10 years after its launch due to low ratings. Around this time, SABC 3 was going through an identity crisis and the public broadcaster these two would align better.

Although The Bold And The Beautiful was able to pull a massive following in South Africa. It wasn't bringing in the revenue for the public broadcaster so much that by 2019 the show got axed with the only means to the soap EVA and Vodacom Video Play axed years later.

Following its departure from South Africa, several consumers pirated several episodes illegally through torrent sites while others had to make due with what's seen on their screen. As seen by several subscribers, Netflix has become the exclusive home to The Bold And The Beautiful. 

Netflix has held these rights since October 2023 for consumers in South Africa. After M-Net opted not to acquire the show when it exited SABC 3, the streamer added the first 100 episodes to the 2019 season which coincide with demises of EVA and Vodacom Video Play. 


Tuesday 5 March 2024

Nelson Releases White Paper Proposing Several Restructuring On Disney Including Less Sequels And A Downsizing Of Disney+ Global

Nelson Peltz‘s Trian Partners, which is agitating to get two seats on Disney’s board, on Monday released a lengthy white paper analyzing the Mouse House’s financial performance — and suggesting strategic fixes.


The recommendations, according to Trian, are aimed at turning around Disney‘s total shareholder returns, which have trailed most of its peers (except Warner Bros. Discovery and Paramount Global), according to the white paper. Trian is urging Disney shareholders to vote for its two board nominees — Peltz and ex-Disney CFO Jay Rasulo — at the company’s April 3 shareholder meeting. Disney opposes the candidates put forward by Trian and another activist firm, Blackwells, as lacking “the appropriate range of talent, skill, perspective and/or expertise.”


“For more than a year, Trian has described its thoughts on strategies and goals, some of which Disney has now implemented, such as reducing excess costs, reinstating a dividend, and making the Parks business a bigger part of Disney’s growth strategy,” the Peltz-run firm says in the white paper. “We are now making our 100+ page presentation public with our comprehensive views.”


Among the proposals in the 133-page white paper (available at this link), the hedge fund says that to achieve a better return on its streaming content, Disney should take more “shots on goal” and increase creative risks outside of its core franchises, similar to Netflix. The company, Trian says, should “explore allocating more budget dollars across lower-cost, easier-to-produce projects to further balance Disney’s higher-cost franchise content; prioritizing ‘retention’ content spend should diversify away the risk of expensive streaming flops.”

Trian also recommends that Disney make fewer movie sequels. “Disney’s ‘flywheel’ spins the fastest when the company creates or acquires new intellectual property to monetize,” the white paper says. “Sequels are less risky film ventures to produce, but do not drive long-term benefits in the same way that new IP can.”

The firm continues, “The percentage of Disney films that are sequels, prequels, spin-offs or remakes has dramatically increased — suggesting a creative engine that is sputtering.” Trian is calling for “a comprehensive review of studio operations and culture” by the board, including the state of leadership, process and workflow.


Meanwhile, Trian recommends two potential paths for ESPN: One, that ESPN’s standalone streaming service, which Disney is aiming to debut by the fall of 2025, be launched “ideally with a ‘bundle’ partner like Netflix or Amazon”; or two, that ESPN should “harvest cash out of its linear business to selectively reinvest in ESPN+ and higher growth parts of Disney’s business (such as Disney+).”


Elsewhere, Trian suggests merging Disney+ and Hulu product and content organizations to cut costs — a move it claims would create cost efficiencies in the neighborhood of $1 billion. Disney is in the process of buying out NBCUniversal’s 33% stake in Hulu. In November, Disney said it would pay at least $8.61 billion to Comcast for the Hulu stake, with the final price tag — which could be higher — to be based on an assessment of Hulu’s market value by each parties’ bankers.


As it relates to the integration of Hulu content on Disney+, Trian believes the service should “phase out the Hulu tile.” “We are skeptical that keeping Disney’s best general entertainment content behind a Hulu tile optimizes user engagement,” the white paper opines.


In addition, Trian says it believes Hulu + Live TV “is a loss-leading product that has struggled to scale and adds limited strategic value.” Per the white paper, “In our view, Live is not competitively positioned compared to YouTube TV following its deal to secure NFL Sunday Ticket and is no longer positioned as a ‘low-cost alternative to cable.’”


Other suggestions in the white paper aren’t new. For example, Peltz wants Disney to achieve “Netflix-like” streaming margins of 15%-20% by 2027, something the hedge fund has previously outlined. Trian also wants to see Disney’s board “fix” its “chronic succession problems” for CEO Bob Iger, whose contract expires at the end of 2026.


Much of Trian’s white paper dwells on making the case for change on Disney’s board. For example, the hedge fund argues that Disney’s $71 billion deal for 21st Century Fox, which closed in 2019, was “strategically flawed”: “We are skeptical that Disney has delivered on its targeted synergies and EPS accretion given the deterioration of Disney’s media earnings power following the acquisition.”


The Disney/Fox deal was “arguably the result of misaligned incentives,” Trian’s white paper says. “On the same day that Disney agreed to acquire Fox, the board extended Mr. Iger’s employment agreement by four years and awarded him an ‘over-the-top’ compensation package, reasoning that doing so was ‘critical’ to driving long-term value from the acquisition,” the paper says. “In our view, the prospect of a much larger compensation package (more than double his previous package) created a strong financial incentive for Mr. Iger to pursue the Fox deal regardless of its prospects, creating a significant conflict of interest.”


Here are Trian’s agenda items for the Disney board from the white paper, divided into four categories:


Enhance Corporate Governance & Accountability


Refresh the board by adding Nelson Peltz and Jay Rasulo as independent, aligned, and focused Directors

Fix succession process and run a thorough and successful search for a CEO in time for Mr. Iger’s 2026 retirement

Align pay with performance by tying the compensation program to outcomes that drive long-term shareholder value

Form a board-level finance & strategy committee to evaluate progress on recommended initiatives and improve the Board’s monitoring of Disney’s long-term strategy

Accelerate Media Profitability


Insist management develop and articulate a clear DTC strategy with tangible goals that will achieve Netflix-like margins of 15-20% by 2027

Explore opportunities to improve DTC engagement and cost structure, including changes to product and marketing strategies and reducing redundant overhead costs

Right-size legacy media business cost structure in light of industry dynamics

Evaluate Disney’s organizational structure to improve accountability and efficiency

Review of Creative Engine


Initiate a comprehensive Board-led review of studio operations and culture, including leadership, processes and workflow

Prioritize new intellectual property to reignite the “flywheel” and drive Disney’s long-term growth

Explore additional opportunities to enhance the “flywheel” with digital cross-promotion

Clarify Strategic Focus


Issue long-term free cash flow growth target beyond FY 2024 to anchor investors on a clear strategic vision and enhance accountability

Explore strategic partnership(s) for non-core linear assets – benefits include an enhanced focus on linear assets, a preserved strategic alignment with Disney’s DTC business, and an improved growth profile for Disney

Insist on a digital strategy for ESPN that has a clear path to attractive financial returns

Refine parks strategy to include tangible return targets on the $60bn of Parks capex, plans to address new competitive threats to Walt Disney World, and a commitment to improving the guest experience at domestic parks

Sunday 3 March 2024

Could Netflix Become The Exclusive/Future Home Of Nickelodeon?

During the year, it was reported that WWE would be exiting linear television by 2025 with Raw, SmackDown and NXT alongside premium live events like WrestleMania and SummerSlam would be streaming exclusively on Netflix with more countries to be added soon.

This has boosted the media's interest on the streamer with some curious about what other projects the brand has in the pipeline. One of the brands I wouldn't really be shocked to see get purged soon would be Nickelodeon.

Nickelodeon is an international children's brand operated by Paramount Global. Since it's inception had brought animated shows like SpongeBob SquarePants, The Loud House and Legend Of Korra alongside live-action shows like Drake & Josh, iCarly and The Thundermans.

As some readers are aware, Netflix and Nickelodeon have co-produced shows like Pinky Malinky, Glitch Techs and the upcoming live-action series for Avatar: The Last Airbender. On top of distributing films like Invader Zim: Enter The Flopus and Rocko's Modern Life: Static Cling.

There was a point in time when Netflix was looking to acquire Paramount's studios before negotiations fell flat. Not long ago, Paramount announced that they'd be laying off 800 employees due to the effects of streamlining with fear lurking around their linear offering.

With WWE leaving linear television, the idea of more content being purged to streaming particularly Nickelodeon wouldn't seem far fetched a stretch. Disney had closed several channels across the world as most of their content gets integrated with Disney+.

Netflix has been doing a lot of quality control in recent months and looking to get decent content. They recently filmed a live-action series to popular anime One Piece and acquired exclusive rights to The Casagrandes Movie and The Fairly OddParents: Make A Wish.

Thursday 29 February 2024

Why eToonz Now Offers Shows Like MasterChef Junior?

eToonz is South Africa's first free-to-air children's channel operated by eMedia Investments. It broadcasts daily at 6am with preschool shows like Peppa Pig, Postman Pat and Bob The Builder alongside with other content like Trollstopia, All Hail King Julien and Ninjago.

Launched in 2013, eToonz initially served as a preschool filtered brand and to date remains as the only youth brand on Openview to feature animated and live-action shows. Despite the rise in competiton with MultiChoice ramping up a duplicate offering on Play Room.

There was a lot of commotion pertaining to its performance regardless eMedia Investments had continued to bolster the entertainment. The channel now offers its own slate of live-action something formerly offered on Craze on top getting more first run programs.

As seen in recent months, eMedia Investments opted to add MasterChef Junior from eReality to eToonz current line-up. The inclusion of MasterChef Junior would further expand its line-up.

Openview launched in 2013 and as mentioned eMedia Investments remains hush hush on eToonz performance. There's been rumours that not much consumption is being poured on the brand as sources site Openview's demographic for the low numbers.

If anything, the inclusion of MasterChef Junior helps draw in numbers as well as more mature content like The Thundermans, Hank Zipzer and Backstage. Such content is relatable with fiction cast aside viewers are able to envision themselves within these characters.

Saturday 24 February 2024

Popeye: The Origin Story Of Frank ‘Rocky’ Fiegel

‘Oh, I’m Popeye the Sailor Man!’ Most people know Popeye as a tough, spinach-eating sailor, a cartoon character created by American cartoonist E. C. Segar. But did you know who the real-life inspiration behind the strong sailor was? Culture.pl explores the sailor man’s Polish roots!

A scrappy little seaman

Popeye with a can of spinach – Popeye, the cartoon character created by E. C. Segar, photo: East News
Popeye with a can of spinach – Popeye, the cartoon character created by E. C. Segar, photo: East News

Popeye the spinach-chomping sailor was a childhood hero to millions and has made a name for himself all around the globe. Still, for those who have somehow managed not to encounter Popeye, let’s go over the basics. Here’s how Encyclopedia Britannica defines the fictitious sailor:

Popeye is a scrappy little seaman with bulging forearms, a squinty eye, and a screwed-up face, punctuated with an ever-present pipe in his mouth. He is always ready for a fight instead of a reasonable discussion, has a gravelly voice, and is constantly mumbling under his breath. His credo is ‘I yam what I yam, and that’s all what I yam.’ His girlfriend is the gangly, uncoordinated Olive Oyl, for whose attention Popeye vies constantly with Bluto, his bearded, hulking rival.

The character of Popeye was created by Elzie Crisler Segar, an American cartoonist from the town of Chester, Illinois. In 1919, the draughtsman created a comic strip in New York’s Evening Journal, called Thimble Theatre. In 1929, Popeye made his debut as a new character in the strip. Due to the newcomer’s high appeal, the strip was eventually renamed Thimble Theatre Starring Popeye. For decades to come, the character enjoyed immense popularity, appearing in dozens of iterations by various creators – in Fleischer Studios’ animated cartoons or in Robert Altman’s 1980 musical Popeye with Robin Williams in the lead role.

Interestingly, many claim the fictitious sailor was based on a real-life person, one of the citizens of E.C. Segar’s hometown. The man in question is believed to have been Frank ‘Rocky’ Fiegel, whose parents came from Poland.

A heart of gold

The 1979 article Chester Man Accepted as Real-Life Popeye was a Brawler, Loved Kids ran by the Southern Illinoisan newspaper mentions that some citizens of Chester considered Rocky ‘a bum.’ It goes on to explain how this came to be:

Fiegel, a bartender and general labourer around Chester, seldom had steady work and was often seen loafing around the town’s saloons. He lived with his mother until she died, then continued living in the house alone (…)

But it isn’t, of course, the lack of regular employment that’s said to have inspired E.C. Segar. Frank Fiegel was a local brawler, famous for his fist-fighting skills and this is where we really start seeing resemblance to the cartoon Popeye. In the article Rocky’s nephew, Clyde Feegie, recounts a story of his uncle visiting a saloon:

They had two big guys inside who said you had to buy drinks for the house or put on the gloves. They had a big bruiser waiting to fight, but he (Fiegel) put on the gloves and knocked their guy out.

According to Fred M. Grandinetti’s 2003 book Popeye: An Illustrated Cultural History, also Rocky’s facial features and pipe were reflected in the cartoon character:

Because of his hardened physique he was affectionately known as ‘Rocky’. His angular jaw and familiar corn-cob pipe apparently impressed the young Segar.

Indeed, such a figure like Rocky could’ve made a strong impression on Segar, especially since the prospective cartoonist was much younger than him. Fiegel was born in 1868 (it’s unclear whether that was in Poland or in America), whereas E. C. Segar was only born in 1894. Moreover, the Polish-American had ‘a heart of gold for children’ as the Chicago Tribune phrased it. He was known to have selflessly helped out Chester kids, giving them change or protecting them from bullies. That’s another similarity to Popeye who was always a ‘good guy.’

A joke or a prank

Frank’s parents, Anna and Bartłomiej, were Polish. According to the MyHeritage, a genealogy website, the family had ties to the town of Czarnków in today’s central Poland and their surname was originally spelled ‘Figiel’. It was most probably altered to better fit the English-speaking realities of America after the family emigrated there. Curiously, the Polish word ‘Figiel’ means ‘joke’ or ‘prank’, a rather fitting surname for the protoplast of a comic strip hero…

But whether Rocky himself knew that he became the inspiration for Popeye is uncertain. Some say that he learned of this only after Segar’s death of leukaemia in 1938, from a newspaper that printed the story of the comic strip creator and his inspirations. Others, like Popeye historian Michael Brooks, claim that Fiegel received checks from Segar on a regular basis, as a sort of thank-you for the success of the hero based on him. Then again others doubt that Fiegel ‘ever knew he was Popeye.’ Segar moved out of Chester in the early 1920s – years before the character debuted – and according to the 2003 book Comic Strip Artists in American Newspapers by Moira Reynolds, he never actually acknowledged anybody as a real-life inspiration for the famous sailor.

However, what seems to back the story of Rocky being the inspiration is that a number of early-20th-century Chester locals were awfully similar to other characters in Segar’s Thimble Theatre. Olive Oyl, is said to have been modelled after Dora Paskel, a store owner who was ‘unusually tall and thin and wore a bun at the nape of her neck,’ as the New York Times puts it. The chubby, hamburger-loving J. Wellington Wimpy was supposedly based on William Schuchert, the heavyset manager of the Chester Opera House (where Segar had worked for a while) and a known lover of burgers.

What’s beyond any doubt is that the gravestone of Frank Fiegel, who passed away in 1947, can be found at Chester’s Saint Mary’s Catholic Cemetery. The inscription on it says:

Above the inscription you can find an engraving showing the original, 1929 version of Popeye. Of all the hero’s various iterations, the first one, created by Segar, is said to be the one most reminiscent of Rocky.

A friendship between two wanderers

During both Rocky’s and Segar’s lifetimes, Popeye became so popular that the Thimble Theatre comic strips were printed in hundreds of newspapers, even overseas – for instance in Italy, the sailor was known as Braccio di Ferro which means ‘Iron Arm’. In Poland, Popeye’s adventures appeared under two titles: Marynarz Kubuś (Jacob the Sailor Man) and Ferdek i Merdek, Dzieje Przyjaźni Dwóch Łazików (Ferdek & Merdek: The Story of A Friendship Between Two Wanderers). The latter title looks like it may need a bit of explaining: its first part consists of the Polish names that were given to Popeye and Wimpy respectively, whereas the second part… Well, it looks like a free take on the task of presenting the comic strip to the local public. In post-war Poland, however, Popeye was known simply as Popeye.

Speaking of Poland, it doesn’t seem like the town of Czarnków has in any way recognized its ties to the real-life Popeye’s ancestors. A search of the town’s official website reveals no mention of Frank ‘Rocky’ Fiegel. But there is a town, other than Chester, which has made the claim of being the birth place of Popeye – Santa Monica, California, where E.C. Segar moved after having lived in places like Chicago and New York. Here’s an excerpt from a 2009 report titled The Bay Builders Exchange found on Santa Monica’s official website:

When Segar moved to Santa Monica in 1928, he often found inspiration for characters and storylines on the Santa Monica Pier. Although some believe Segar’s characters were inspired by his Midwest upbringing, according to oral history, the Popeye character was modelled on an expert Norwegian fisherman, ‘Santa Monica Olsen,’ who had exotic fishing tales, a heavy Norwegian accent, and rough language.

What appears to back this version of events is that the character of Popeye debuted only a year after Segar moved to Santa Monica. But, due to the lack of compelling evidence, there is no room for definitive declarations here. Perhaps, the character of Popeye was a mash-up, including some traits of Rocky and some of Olsen…

Since E.C. Segar apparently never singled anybody out as the inspiration for Popeye we’re left with speculation. And Frank ‘Rocky’ Fiegel is definitely a strong contestant for that role, due to his undeniable links both to the author and the fictitious hero. So whenever ‘you eats your spinach’ you should remember that it’ll make you not only as strong as Popeye, but (perhaps) also as strong as his real-life, Polish protoplast.

Credits: Culture.pl

Friday 23 February 2024

Why Yu-Gi-Oh Is Getting A Lot Of Backlash On SABC 2?

SABC 2 is the public broadcaster's second free-to-air channel which boasts a variety of content ranging from news, music, reality shows, movies and drama series. It had also garnered popularity for its 5pm timeslot which featured anime like Dragonball, Bleach and One Piece.

As seen in the past year, Yu-Gi-Oh had taken over the channel so much so that viewers aren't tuning into SABC 2 in that timeslot. When Dragonball debuted it formed one of the top 10 most watched shows on the channel while Yu-Gi-Oh Is not even seen in the Top 20.

As some readers are aware, SABC has been dealing with financial constraints that it's taken much longer to acquire new content. This only drives away viewers from the channel which is what "was" currently seen with Yu-Gi-Oh as SABC 2 had been repeating old seasons for almost a year.

This comes as a problem because some viewers would tune into the channel or keep tabs. Anime has a smaller market on cable TV and aside from SABC 2 there's also Toonami and Cartoon Network.

Unlike the latter, SABC 2 offered more mature content that would depict violence, strong language and other adult scenes. Other broadcasters would equip more family focused or kid friendly shows which is where Yu-Gi-Oh currently resides unfortunately.

SABC 2 for years on end would bring these type of shows to their audience and filter out the demographic of Yu-Gi-Oh. Despite once owning rights to Pokémon and Doraemon, SABC should have tried retaining offering of a similar stature while deploying shows like Bleach.

Sunday 18 February 2024

Chicken From Outer Space | Courage The Cowardly Dog | Cartoon Network


The pilot episode begins with an elderly couple, the proto-Eustace and the proto-Muriel Bagge, who live on a farm and own a pink beagle dog named Courage. The family are spending an idyllic morning together, when the proto-Courage becomes frightened by a small mouse; this prompts Eustace to angrily scare him further by use of a voodoo mask. Courage moves outside to the porch, and watches as a UFO descends from the skies. An extraterrestrial species of fowl emerges from this UFO.

Courage runs back inside the farmhouse to alert his owners of the danger; however, when they follow Courage into the yard, the saucer has disappeared, along with the alien chicken. Eustace angrily proceeds to scare Courage once more, causing Muriel to angrily strike him with a rolling pin as punishment. Courage makes his way out to the hen house, where he discovers the Space Chicken dispatching the hens Eustace and Muriel tend to.

Courage quickly runs back to the house to alert Eustace and Muriel to the presence of the alien fowl, but when Muriel returns with Courage to the hen house, the remains of the hens have mysteriously disappeared, with only the Space Chicken in their place. While Courage attempts to deduce what happened to the other hens, Muriel unknowingly takes some of the Space Chicken's eggs. Courage is able to knock two of them onto the ground; this angers the Space Chicken, who proceeds to lock Courage in the hen house upon Muriel's departure.

While Courage is making his escape from the hen house, Muriel fries the alien eggs and serves them to herself and Eustace. Courage succeeds in escaping and begins searching for a buried object. At the house, Eustace eats the eggs and begins to sweat profusely, before his eyes seemingly change color. Courage recovers his old slingshot and rushes back to the house, while Eustace begins transforming into an alien fowl himself, laughing insanely all the while. Muriel realizes the eggs are the cause for Eustace's ailment and avoids eating them. Courage arrives back at the farmhouse and ambushes the alien, momentarily knocking him unconscious with the sling-shot. The bird quickly recuperates and a fight ensues.

Courage and the Space Chicken attempt to negotiate for Muriel's safety through numerous games, such as rock-paper-scissors and fencing, while Eustace slowly completes his transformation. A mindless Eustace slowly advances upon Muriel, while Courage succeeds in the games against the alien. After claiming victory, Courage orders him to leave Earth forever. However, the Space Chicken reveals a large beam gun and attempts to assassinate Courage with it; Courage is able to dodge the beam, leading to it bouncing back onto the chicken, seemingly destroying him. Courage then shoots the alien Eustace with the same gun, causing him to disintegrate into a pile of ash.

While Courage and Muriel are lounging peacefully in a rocking chair, a mouse is seen ingesting some of Eustace's ashes, before its eyes change color which causes Courage to scream in terror, ending the pilot with a cliffhanger. As the closing iris is shown, Courage turns to us and says one thing: "This shouldn't happen to a dog!"

Could Merit Street Media Also Be Eyeing International Expansion?

Last year, Phil McGraw known for his daytime talkshow Dr. Phil announced plans to start up his own TV network, Merit Street Media. This new network would form part of a joint venture with Trinity Broadcasting Network (TBN) covering 65 million homes.

Phil McGraw is set to star in his own program following the cancellation of Dr. Phil in 2023. Other content set to join the line-up include Morning On Merit Street and The News on Merit Street with the network likely to explore TBN's rich archives and instill religious value.

Merit Street will debut on linear TV by February 26, 2024 on DirecTV and Dish and cable systems owned by Charter and Altice, among others. It also intends to distribute the network via various free advertiser-supported television or streaming services, or FAST channels.

As to whether this new network would be distributed in other countries. TBN already distributes film channel Positiv and church channel TBN in these countries so Merit Street Media forming part of this line-up wouldn't seem that far fetched of an idea.

Phil McGraw already has a presence with his as mentioned cancelled medical show, Dr. Phil. If not a TV network, selected content from Merit Street Media will likely surface as a programming block on TBN as seen formerly Oprah Winfrey Network (OWN) on TLC.

Development Alert: Ben 10 Omniverse Had A 9th And 10th Season In Development, Lucky Girl Prequel Series Cancelled

Ben 10: Omniverse unfinished seasons

Ben 10: Omniverse which was the last series right now in the original continuity of Ben 10 was also the biggest series when it comes to seasons and episodes length. Ben 10: Omniverse went on for an eighth season run consisting of 80 episodes as opposed to the original Ben 10 with a fourth season run.

It had the biggest runtime in any Ben 10 series except now since the reboot surpassed it having 166 episodes which can be divided into 83 episodes.

Initially, Ben 10: Omniverse wasn't meant to be that long of a series, when it was first picked up it was only meant to have a 2 season run. But due to the success of the series it was renewed for an additional two seasons and this would carry on till it's last.

Despite it only running for eight seasons, the late Derek J. Wyatt one of the people who worked on the series it was actually suppose to run for another two seasons. If the series wasn't cancelled they would have brought the negative ten in the scrapped seasons and travel to space.

Similar to The Ghost And Molly McGee, this ended up being the season finale to Ben 10: Omniverse as the show was cancelled due to low ratings. They had also planned to bring the villains from the original Ben 10 such as Charm Caster, Vilgax, Dr. Maniac and others.

Ben 10 spinoff

Through an Q&A on X, Duncan Road one of creators of Ben 10 through Man Of Action had revealed that a spinoff based on Gwen Tennyson's persona Lucky Girl had been pitched but hadn't reached the development phase. Prior to this, they were rumours of a Kevin 11 spinoff series which hadn't got picked up by Cartoon Network.

Lucky Girl would have helped attract a wider female audience to Ben 10 since the franchise is male dominant.

Saturday 17 February 2024

Why MultiChoice Has Been Removing A Lot Of Local/African Channels On DStv And GOtv In Recent Months?

2023 had been proven to be one of the most challenging years for consumers and businesses. On top of less channel additions, MultiChoice had experienced zero growth in DStv consumption in the top tier market part of which has to do with the impact of load shedding.

But one thing that caught several readers attention was and appears to be an ongoing matter with the company is the reduction of TV channels. Some memorable TV channels included M-Net Edge, Animal Planet and Disney XD.

As seen in 2023, MultiChoice has been slowly reducing its local footprint with the closure of Maisha Magic Movies, HONEY and ROK3. This pandemic had carried itself over to the new year with NWTV and People's Weather with 1Magic on hold for the time being.

This has led to some ongoing fear from consumers of The Home Channel and various other brands with some threatening to cancel if they lose out on Gardening 101 and Real Health.

Similar to secondary networks like M-Net City and VUZU, MultiChoice is probably streamlining it's local endeavours in a major shakeup. Warner Bros. Discovery halted production of original content for TNT and TBS as the latter is folded under HBO and the Max streamer.

Throughout 2023, this was what was kind of analysed Maisha Magic Movies reverted to Maisha Magic and Pearl Magic while HONEY's remaining offering merged onto Showmax. Downside to cable, regional restrictions as this content is less accessible now.

Looking at this, its likely MultiChoice is prioritising existing IPs like Mzansi Magic and stripping off loss makers/non-performing brands like 1Magic. This doesn't mean there won't be any local investment as Zee Zonke and Play Room launched with a minimal line-up.

Saturday 10 February 2024

Goblins Of Litter | Before Courage | Courage The Cowardly Dog | Cartoon Network


Before Courage was a scrapped prequel revival series to the Cartoon Network series, Courage the Cowardly Dog initially made for release on the Boomerang channel. Although development for the series' pilot began in late 2018, it was later shelved due to the management team at Cartoon Network prioritizing their focus to other properties.


In October 2018, Dilworth commented on a Facebook post that he was in negotiations with Boomerang for a prequel to the series. Later that month, Dilworth announced on Facebook that development on a "potential prequel" to Courage for Boomerang was expected to begin.[1] However, in May 2020, when asked about the project, Dilworth responded that it had been "transformed into another thing". Albeit not confirmed, it could be presumed that he may have referred to the Scooby Doo crossover, Straight Outta Nowhere: Scooby-Doo! Meets Courage the Cowardly Dog.


In June 2021, Dilworth revealed that the project was on turnaround as Cartoon Network's management is prioritizing their focus on other projects. In January 2022, Dilworth revealed that the project has already been dropped and fell through for the same reason.


In February 2024, Dilworth posted the animatic pilot for the series, titled "Goblins of Litter", onto his YouTube channel.